Wednesday, December 21, 2011

Purse Dreams


Purse Dreams

When my grandmother died, I ended up with all her purses. She didn't call them that though. They were "pocketbooks," a word as crisp as the sound they made clicking shut. There is a fat black beaded one like a loaf of bread, and a strange wire bag shaped like an egg basket. There is one my Aunt Ruth crocheted made with silver lam`e thread and spangled silver disks; it has a tortoise-shell bottom and draws closed on a tasseled cord. There is also a cream quilted satin clutch with its hankie still inside. My favorite, though, is the white leatherette. It has a flaring bottom and a flat wide strap that used to hang from my grandmother's wrist, or the crook of her arm, like she was Laura Petrie or Jackie O. The knobs of its clasp are round and gold and so big and shiny you can see your face bending away from you, and the strange warped slits of your eyes. Those gold balls slide tightly against each other so that the metal has worn, and when they finish their hard caress, suddenly they clear, letting you in. 
This purse, it opens like a yawning mouth. It is red sateen inside. My grandmother let me play in there, with the rattling keys and gum-paper chains and everything else that rolled and knocked about as I tipped it back and forth like a rocking ship and tried to remember what I had seen. It was a kind of game I played: to take it out, and put it back in, and try to remember it all:

A compact--no, two--one face powder (slim, gold, heavy, Revlon), One rouge (new, Cover Girl pink plastic); A lipstick (either red or a coral frost); A round brush and a teasing comb; Kleenex and a hankie (why both?); Rhinestone hair-pins; An emery board; A short green pencil from the Conneaut Lake Putt-Putt Golf Course; Wrigley's spearmint gum -- sticks, ripped in half (a lady never chews more, you look like a cow); A rubber jelly change purse that opens when you pinch its sides, stamped "Meadville Tribune" (it's got a lucky penny); An Avon rain hat -- at least one -- for sudden rain, folded into impossible pleats and tucked into a plastic suitcase stamped "April Showers"; Sales slips.; To-do lists -- lots of them;  Clippings from Dear Abby; A postcard on which she's copied a poem, "Man's best friend"; And notes to herself on how to improve.  If I stick my face way down deep into the pocketbook, and close my eyes, I think I can still smell her there: powder, rouge, lipstick, hairspray, and Wrigley's spearmint gum. 

Tuesday, June 21, 2011

You May Say That I'm a Dreamer . . .

I was truly a child of the sixties. I was seven in 1967, so the “summer of love” for me was moving from a small, protected provincial Pennsylvania town where all of my extended family lived—cousins and aunts and uncles and grandparents and friends-- to Ann Arbor, Michigan the site of sit-ins and demonstrations and movements of all kinds. During the years I was growing up there, the University of Michigan was home to the growing anti-war movement, the Trans-Love Energies, the Black Panthers, White Panther Party, the Black Action Movement, and Students for a Democratic Society. There were strikes and sit-ins and teach-ins, and since both of my parents were liberal thinkers and graduate students at the University in the late 1960’s and 1970’s, my brothers and I grew up hearing about all of it.

At home my parents discussed politics, education, issues of racial equality, and the importance of the growing Women’s Movement. Instead of being read the Bible, my father talked about Abraham Maslow and self-actualization at the dinner table. Instead of being told to obey our teachers, my mother taught us about the crisis in our schools and discussed John Holt’s classic book, How Children Fail. Instead of being told to respect authority, we were taught to question it.

Peace, love, justice, social equality, and a creative revolution in thinking were the air I breathed as a child, and because these were the “norms” that my brothers and I were raised with, I BELIEVED them. Then, suddenly, seemingly overnight, everything changed: Hair was short again; Lennon was dead; Regan was president. Suddenly, it seemed that all but a few of my friends just wanted to get into a good college and make a lot of money. What a shock to find myself facing adulthood in a world that seemed to have forgotten those years . . .  all that promise, and all those promises.

People say that those years were a time of pipe-dreams and wishful thinking, filled with ideas and ideals that would never and could never be realized..  But I think they are mistaken. I’ve found over the years that I’m not alone in still believing in those dreams; as Lennon sang, “You may say that I’m a dreamer, but I’m not the only one.” There ARE many of us dreamers still out there, and I am finding in my teaching that the children of the children of the sixties have inherited a great deal of their parent’s early optimism, along with their commitment to social change, but that they are more able than their parents were to tolerate the ambiguity and hard work that the world asks for in exchange for any lasting transformation.

Thursday, May 5, 2011

My Research History


                                                                                     
In Kindergarten, even before I could really read, I discovered the quiet joys of our two out-of-date sets of encyclopedias: The Children’s Book of Knowledge and a worn set of World Books where the map of the US had only 48 states. The Children’s Book of Knowledge (the more exotic of the two) had tooled, leather covers, and the heavy, glossy pages were filled with old-fashioned pictures of horses and elephants and kangaroos. I remember the section on “Araby” as being especially enticing, with pen and ink drawings of harem girls and turbaned men, and hazy black and white photographs of stringy camels under arched doorways with titles such as, “At the old Kasbah Gate.” The smell of these books was so rich and promising and gave me such mysterious pleasure, that I used to press my nose into the secret folds of the spines and inhale as if I could gain the secrets of these fat tomes just by smelling. I don’t know how many hours I spent lying in the sun on my stomach on the braided rug of our front room looking at these books, but I believe my obsessive need to know took root between their pages.
The Christmas I was six, I received The Human Body book and discovered that I had a passion for the human organism and wanted to know everything about my mysterious insides. This interest remained with me and grew over the years, but the unfortunate result was a not so occasional bout of “hysterical illness” and endless teasing by my cousins who were with me on the outing, in the boat, in the middle of the lake the time I became sure that I was having a heart attack and made my Uncle Tony turn back for shore as I clutched my chest and gasped, “My heart! My heart!”  I’d just seen a documentary featuring open heart surgery, and to this day they greet me with a sing-song chorus of, “MY HEART! MY HEART!” and peals of adolescent laughter (though we are all near fifty).

By third grade, I had my own library card and I delighted in going to the Public Library, where, for FREE, I could take out as many books as I could carry home (This fact continues to amaze me, especially in our consumerist world where everything costs somebody something.) Like all the girls my age, I borrowed series books such Mrs. Piggle-Wiggle and Amelia Bedelia, eating them up, one after another, like peanuts from a bowl. But I also took out books on "peoples of the world," and my special favorites, "how-to" books, with titles such as A Rainy Day Book for Girls, and How to Make Almost Anything from Almost Nothing, at Home.
In fourth grade, I wrote my first research paper. Our class was studying Hawaii, so I hauled out the old World Book and began my “research.” The search went only so far as that one volume, but I was very diligent and very serious about getting the facts straight. I felt all grown up doing my research, even going so far as to ape my graduate-school parents’ use of 3x5’s for quotations and page numbers. I was quite proud of “The Pineapple Industry in Hawaii Today,” and so, I was equally disappointed when my teacher shook her head over my use of only ONE source and an antiquated one at that. (“Lisa. Your paper is about the industry forty years ago!” she wrote.)
None-the-less, my love of research continued, and I became particularly attached to the objects surrounding the research process: The short yellow pencils and slips of paper the library left out in tiny boxes like offerings; The colorful walls of books with spines arranged like abstract art; the hushed upper floors of the Graduate Library where I walked among the study carrels and long wooden tables with their focused lamplight looking for my father while my mother waited outside, double-parked with the car idling.
My favorite research object, though, was the card catalog, and fifth grade was the year we “graduated” to its use. I loved everything about it: the smooth pull of the oak drawers; the buff-color cards tight-packed inside it; its mix of order and serendipity. Looking for information on cats, I might find a book on cattails, and next to that another one on catalogs of all kinds (the card catalog included!) Or if I searched by an author’s name, I might find Maurice Sendak and all of his many books within flipping distance of Doctor Seuss. I liked the feel of the cards too. They were soft with use in some places, like the skin on my grandmother’s neck, but in the drawers for recent acquisitions, the cards were so stiff and crisp and official that they made me stand up taller myself. I decided right then that I would write a book some day and add it to the file.
That same year I became a member of the “We Never Guess; We Look it Up” club (I still have the tiny metal pin they gave each of us) and I took what I assumed was a solemn vow to--you guessed it--never guess, but look it up. From that day forward, each time I wondered how to spell a word, or where a common act found its origin, or who that actress was in that movie that starred that other actor who was in that other movie (you know, with what’s his name?), I felt compelled—no, duty bound—to look it up. My fate was sealed in that hushed school library, in the fifth grade, in the big-kids’ section, when the librarian stuck my shirt through with that pin.
I admit it; I’m an addict. Every research paper I have ever written has unspooled across the page, lengthened unchecked, as lush, untamable, and unkempt as Methuselah’s beard. Word upon word, fact after fact, I have followed the research out of my life and into another one. In every class I’ve had to ask for extensions and incompletes to accommodate my lust for more. And unfortunately the computer has not helped one bit: out of three page essays, book chapters have been born, and out of twenty page papers, whole books. Sadly, for us “look-it-uppers,” the internet and its endless avenues for research and “rightness” is as much a curse as it is a blessing. Even now, when I am no longer a student--and though I am unfailingly gratified by the ability to cut short arguments with my spouse over proper English usage and word etymology with the click of a mouse--I have gone to bed too late, on too many nights because one of my daughter’s simple study questions has become a grail quest for a factoid not worthy of the expenditure of time or electricity. Mommy should NOT be up at 2:00 am researching Tiberius’ reign when her daughter sleeps like an angel. It has to stop.
 So. I have decided to renounce my vow and turn in my pin! Too much, you say? Well here’s proof of the depth of my addiction: I lost several hours during this “quick free-write” researching the origins and organization of the card catalog!

Friday, February 25, 2011

Thanks to Mark Zuckerberg . . .

I am realizing that I have this on-page, or writer self, which is so much more optimistic than I am. It is obviously a new sub personality that I have acquired since, I guess, starting my facebook account and posting every day. I think I am becoming addicted to her, as she is so upbeat and outgoing and generous and smart. She is wiser than I am, and wittier, and she seems to have more friends (well, she and I share a lot of them, but they seem to like her more) and in the mean time, what has happened is that I have become the "evil twin," carrying all of the darkness--all of OUR darkness, that is.

 Is the burden double now that I have "her" too? It seems like that (I’m awfully grumpy), but maybe it’s just easier to see the sub strata of my own inner life now that she gets all the shine and gleam. I imagine that this is what celebrities experience--a heightened sense of their split nature and possibly an addiction to that polished, “charming” public face—OK, in my case it’s not THAT charming—but  still, isn't this JUST what we don't want to happen as we age? Aren't we looking for more integration, not less?

I guess there is a bright side: I can see my darkness more clearly now, and also that I have had this private/public split all along. Maybe the real opportunity for integration comes when we truly take a good, long look at this. I know that I am finding this "long look" difficult, and consequently I am, of late, having my own inner (and outer . . .  apologies to my family) temper tantrum. However, I would LIKE to think that this is not merely a neurotic impulse, but the impetus I need to actually, finally, make peace with the fact that this person I am--flawed and aging and full of contradictions--is just normal. That this is what it means to have a personality: something to take care of, to manage, to have compassion for, to sometimes applaud, and to sometimes put to bed early when it needs a time out. In other words, I think that by seeing the darkness AND  light of "me"--the constructed reality of the whole, dang self --I may be able to begin to dis-identify with ALL of my personality--sub and otherwise. The dark and the light, the good and the bad, the charming and not so.

Because of seeing how much power facebook Liz has (and how seductive her little two lines of happy chat has become) I’m tempted to take a break from her realm for a month and WRITE instead . . . REALLY write. I'd like to let "Dark Lizzie" have a go. I intuit that she has a lot to tell me, and that it might just be her turn to shine. I’ll let you know if that happens. In the meantime, as the old song goes, "I’ll (we’ll) be seeing you in all the old familiar places.”

Saturday, February 5, 2011

A Lesson in Civil Disobedience

An article in the Huffington Post, on Januaray 22, 2011 reminds us that the controversy regarding the issue of standardized testing in our country's schools is far from over. In fact, a huge number of our nation's children have been, and are being, left behind by the current "No Child Left Behind" legislation. (http://www.huffingtonpost.com/michele-somerville/10-million-for-children-l_b_810970.html)

In honor of this fact, I've decide to post something I wrote in 2004 when my son, Sam, was in the fourth grade and decided to boycott the NY State English Language Arts exam. It made me take a good look at parenting, acts of conscience, and our nation's efforts to provide quality education to all of its children.



A Lesson in Civil Disobedience

            An interesting lesson in civil disobedience has been unfolding in our home these last few weeks, and curiously our teacher has been a nine-year-old boy. My husband and I are educators and, not surprisingly, we frequently debate issues relating to education. Our children are privy to many of our conversations as these often occur while we cook together, or pick up around the house, or fold the socks.  The kids, of course, wander in and out, interrupting with questions about play-dates and searches for lost band folders, occasionally joining in the subject under debate.  They add a child’s-eye view of things, enriching our talks by asking the kinds of simple and practical – or sometimes grand and metaphysical – questions that we adults have forgotten to consider.
Such was the case two months ago.  My husband and I were in the kitchen chopping onions for lentil soup and discussing alternatives to the standardized, high-stakes testing used in both the public schools and at the university level where we teach.  The federal government’s No Child Left Behind mandate for testing all children yearly in grades 3-8 (scheduled to be phased in by 2005-2006) concerns us because we fear this directive will contribute to standardized tests driving curriculum, and that many teachers will be forced to abandon excellent pedagogy in favor of teaching to a test.
Our son was in the kitchen with us that evening practicing his tap steps as we talked (I comfort myself with the idea that even Bobby McFerrin’s mother must have told him to “keep it down” sometimes) when suddenly he stopped “grooving” and asked us a simple question: “If these tests are such a bad idea, then why am I taking them?”  Why indeed? The query stopped me short. And I wondered, “Is there an option?”  He had asked a simple question, but it went directly to the heart of a national debate over the role of the schools in our society and of the teachers in our classrooms; over the role of federal politicians in Washington vs. the role of the local school board; over parent’s rights, and children’s rights, and best practices in education; over the what and who and how of setting our educational curricula in order to ensure that our schools are really places of high level learning where children become skillful thinkers and doers and feelers, ready to move into the adult world with the competencies they need in order to succeed in life and  enrich our nation.  In essence, my son had opened a can of worms, and I needed some time to think.
We try not to let our children’s honest questions go by without an honest response. Thus we felt compelled to really ask ourselves why we were allowing our son to be tested when we both felt certain that these tests are an unnecessary and perhaps harmful burden to our schools. What were our options?  We decided to find out.  Soon we were traveling a path we had not anticipated that November evening in our kitchen:  No, there are no opt-out waivers in New York state, though 20 states do allow parents to opt their children out of some standardized exams (in Pennsylvania a recent change in the law now limits this right to objections on religious grounds).  No, we could not keep him out during the test hours only; make-ups would be given whenever they could snag the child.  If we kept him home all day on test days, a total of nine days would be missed making his absences a truancy issue (not to mention the lost learning on those days, and the lost earnings/sick days as my husband and I juggled our schedules in order to be home with our son.)  So what to do?
 We told our son what we’d found.  And his reply?:  “I understand that I can’t miss that much school, but maybe I should just go and not take them – they have to give them to me, but that doesn’t mean I have to take them, does it?”  Does it?  Again, a simple, direct question demanding a response.  I was suddenly reminded of a thin Indian gentleman in a dhoti and round spectacles leading his people to the sea to make salt; of a tired, middle-aged black woman who refused to give up her seat on the bus to a white youth; and of every miner and factory worker who walked out of a job risking the family’s next meal in order to unionize, so that he (or she) might no longer “owe his soul to the company store.” Thus, I began to think in earnest, what is the lesson here? Is this, then, to be a lesson in civil disobedience?  Is this a lesson for our family in non-violent non-cooperation, in a “just say no” that has efficacy not because it is a slogan, but because a simple “no” can find a wealth of power by wedding conscience with action? 
 I realized that my young son had already intuited this himself, and he was waiting my reply.  “No,” I answered him, “they can’t make you take it.”  “Then I’m not going to,” he said, and left the room.  My husband and I stood and looked at each other, wondering what would be the repercussions of this action, and could we allow it?  Yet could we, in good conscience, not allow it, when it was our child’s developing conscience that was compelling him to question, to think for himself, to simply say, “I’d prefer not to because I don’t believe in it.” That is the kind of thinking – and the kind of internal strength – that, especially these days, one wants to nurture in one’s child.
     
     Through meetings at the school and with district officials we soon realized what a hot-button issue this was. We were naïve: We never tried to hide our criticism of these federally mandated tests; we never tried to hide our willingness to support our son’s desire to not be tested. Yet we also never strove to call attention to ourselves.  This, we supposed, was an act of individual conscience. A family decision.  A private matter.  Yes, we were naïve, for what began as “our decision,” or “our son’s decision,” became within hours a public matter, a state matter. It seemed something so small—a nine-year-old’s attempt to do the right thing. Yet it was significant enough to the world at large that in days it blossomed into rumors about the school, the teacher, our family, our son, and a letter from the superintendent hand delivered by the principal reminding us that this was a federal mandate.

The night before the state tests my son and I talked together, snuggled in his twin bed, staring up at his ceiling where hand-made mobiles twirled slowly in the light of an orange lava lamp.  I rested my head on his old teddy bear and asked him what he’d decided to do.  “I’m not going to take it, Mom.  I know my teacher probably isn’t happy about it, and I think she’s nervous.  But she’s always told us to do what we think is right.  And if the tests are wrong and I take them, then it only makes one more wrong, doesn’t it?” 
Doesn’t it?  Yes. Usually. Sometimes. Mostly? . . . We live in a world of moral ambiguity.  But I was aware, as the seconds passed and I considered my answer, that perhaps in each moment it is simpler than that.  For it seems, after all, that there are only two real options: fear or love.  Fear means no change, ever.  No chances taken, nothing gained, the status-quo maintained.  Fear seems safe, but really it is an absolute: the certainty of dead-ends.  Now love? Love is risky, too.  And messy.  But to hope is to love. And hope is the kind of love that believes in possibility.  It believes, for example, in the possibility of freedom, the possibility that each of us has the freedom – the right – to choose from our own heart and head what we believe is true, and moral, and just.
 So I answered my son, “Two wrong things don’t do anybody any good.  Still, if you decide take the test, it doesn’t mean you’ve done something wrong.”  As he considered this, I watched his sweet face, and I thought, “I don’t know you, do I ?  You are you, and I am me, and this is your decision.”
 “I’m going to write a letter,” he finally said, “instead of the test. I’ll tell about why they don’t make sense.  How they won’t let us do any of the things our teachers tell us, like use a dictionary, and take your time, and be creative, and have someone else read it.  I’ll write how you can’t think when you’re nervous, and you get nervous even if it’s the teacher they’re testing.  I’ll write about how we don’t have enough time to do a good job.”  I said that was a fine idea, and that he’d obviously learned a lot of important things about good writing in his class, and that I was proud of him. Then I kissed him, and hugged him hard, and closed the door.

            I was up all night wondering, were we doing the right thing allowing our son to choose?  Was this too much for a boy not quite ten?  Could I hold onto my own disquietude and allow him his peace?  I compared the good scared girl I was at his age with the good brave boy I was raising.  I admired his courage and clear thinking. I knew that the mud might fly, and I wondered how well I could keep it off him, and his teacher, and his school.
            We love his school. Our son and daughter have been happy there.  We love our son’s teacher, a wonderful, warm, bright, nurturing, innovative woman -- A respectful woman--who allows the children in her room a voice, and choices, and a hand in their own learning.  I worried about how one little boy’s moral journey might impact her. 
            Strange, that I could even worry about such a thing.  But these are lock and key exams, brought up from a safe at the proscribed hour and doled out with #2 pencils.  Posters on the classroom walls are covered lest they leak their advantage.  No dictionaries are allowed, books away, no scrap paper (so much for your letter, my son), and creativity will not be considered in the test score unless all other criteria have already been met.  Serious business.  High stakes business.  A climate of fear.
             Of course, there is money involved: Government funding and government grants and photo opportunities for politicians.  Money for schools -- and in some places for teachers, and even children -- that make a good showing on these tests. And big, big money for the test-making companies and the text-book manufacturers who act in league. Each time a text is adopted by a school district -- in order to standardize instruction, in order to teach to a standardized test so that our schools and teachers can show that they have met the rising standards -- the corporations that increasingly govern our educational system make money.  Each time the books and tests are revised, making last year’s version obsolete, these companies make further profits, while our cash-strapped schools struggle for funding, sometimes dropping good programs for lack of money.  In the end, what is the result of this legislation of standards?  I have to ask myself if it isn’t just fatter wallets for corporations, politicians with more power, and standardized kids with standardized childhoods receiving sub-standard educations. 

 I find myself afraid. Afraid of where our nation is headed, afraid for our minds. That is, I am afraid that our basic right to a mind that’s free is threatened.  For when the minds of our children become not their own, but are shaped and constrained by corporations and politicians, unable to expand in unique ways--non-standard ways, god-given, unalienable, and marvelous ways – the richness of all of our lives is diluted.  This kind of standardization may make us good workers and good consumers, but it won’t make us good thinkers or good citizens of the world.
Perhaps my fear is unjustified.  I hope so.  But in our house, we’ve seen this constraining power at work.  My son came home today, afraid he’d injured his teacher, afraid he might have done something really wrong:
             “They say it’s going against the school if we take a zero, but I didn’t really do anything; I just told the truth.  Am I doing the right thing?”
            “Hard things,” I said, “are still sometimes right.”
            “This is a hard thing,” he said.
And so we talked some more -- about choices, freedom and control.  He’s learning fast.  He’s bright.  I only hope he learns the “right” things: that it is sometimes good to risk, and that it can be painful, but if you follow your heart and your own good mind, you won’t have to ever feel ashamed.  And as I heard myself tell him this, I was a little surprised, for I realized that I’ve gained this certainty from him. I’ve learned something else as well: that sometimes you just have to say no. If enough of us did this when we saw a constriction of our liberties – saw the places where a damaged system is using whatever machinery of oppression and conformity is expedient to its ends (in this case the very schools of our nation) and then refused to comply-- the constrictions could not hold us. The machinery would simply grind to a halt with nothing to work upon. 

Do I advocate my son’s choice – our family’s choice – for others?  I don’t know.  Some things probably are too hard for a child; this has certainly been difficult for his parents. I do know, however, that we must collectively engage – and soon – in an honest, educated, impassioned debate about the future of our schools, and of our nation.  We need to do this consciously, openly and without fear--not in snatches and fragments behind closed doors. For this is a conversation that requires all of us: parents and teachers; children and administrators; citizens and elected representatives. Every voice is needed, every mind, every heart.  Our son’s voice -- his one small choice -- has already led to a more open conversation in our local community.  I am amazed, and I am proud of him.  I am also hopeful.
And, if we fail in our efforts to build consensus?  Well then, each of us will have to look within, wedding thought with action, and do what we think is right.  I comfort myself with the certainty that if we have tried to talk and still find that we must “just say no,” at least we will be sure that we mean it and know why we are drawing a line.
            Now when I think of civil disobedience, I’ll have to include the image of a nine-year-old boy in a classroom in America who wouldn’t lift his pencil.  I’ll have to include a child who has exercised his God-given freedom of conscience and has chosen to think for himself.


Wednesday, February 2, 2011

My Writer's History (or why not blog?)


                                                My writer’s history

I have none. I am a blank slate, a wind-swept plain, a undecipherable cipher.  I have never put pen to paper. I am a newborn, crying soundlessly into space.

I open this journal and begin the hard journey—pen slashes against a thicket of silence. Pen pushing back against doubt. 

I write into the corners of things. I hem myself into the folds. I climb too high, then I can’t get down. I yell for help, but no one comes.

So I write myself a ladder, a pair of scissors, a map of the world.  I write fast, like a soldier being strafed, running for cover. I write slow, a book-child dropping pebbles, breadcrumbs, hope-words to eat after dark and to follow back home.

Home is the dead space near the baseboards. It’s the place behind the radiator. There, under the stove, I find myself; dustballs and grease are the stories I know.

I trace my life in the linoleum’s griming cracks, dark lines that run through my head going nowhere. . . . .

I see myself drip in the sink again, ride the slick basin
Down through the cold mouth of the drain
into darkness. I see myself drip in the sink again.
Ride the slick basin down
through the cold mouth of the drain into doubt…

I write to remember. I write to remember
to re-member the world; I write to rescue,
to know, to hear myself think.
I write to invite, and to invent—to forget and
to lie. I write to live
or to know that I live
or to pretend that I live I write
to I hear myself brumbling under the floor.  

*          *          *          *          *

I’ve kept a journal since I was nine.  The first one was a small, flip-top spiral notebook that I wrote in with a short, bright-pink mini-pen with a rounded top.  I remember the feel of it, the small weight of it, the blare of the hot-pink ink: “I sit near the pencil sharpener. K. sharpened his pencil SIX times today! I think he likes me.”  Secrets and a place to put them…a cover to close….the sense that I was collecting something: evidence, data, feelings, truth…? I remember the smell of the ink.
I had the feeling, almost, that that diary was ME. I had the sense that I was creating a self, a self taking shape in the letters on the page. “Dear Kitty,” Anne Frank’s diary entries began, breathing life into paper—breathing sentience and compassionate, attentive listening into the inanimate world. 
I read her diary and I cried. I got a better diary, ripped the pages from my one and tucked them into the inside flap of the new one and rubber-banded it all together with a red rubber band. I began again: “Dear Journal, I think I feel too much that I don’t have words for. I am still a kid, but not one, either. Do you know what I mean? I’m changing so fast. All of my friends are like this, too.  I wonder who I will be when I grow up?”
                  *          *          *          *          *
When I was even younger, I drew things. Like Harold and his purple crayon, I made things.  I made things real.  I pictured the world before I “worded it” and sometimes they scared me. I drew things I didn’t like, that I was afraid wouldn’t like me. I was afraid they might come and get me, like Frankenstein’s monster turning on their creator (though I hadn’t read the book, didn’t know the story). I stuck my pictures into the dictionary --It was the fattest book we had--then I pressed them down even harder under the weight of three or four stacked encyclopedias to keep them in at night. Or I drew an arrow from the ugly picture I’d drawn and wrote beneath it “From this”------à “To this,” giving the drawing a new version. All the plain girls got eyelashes, and curving perfect mouths.  All the twist-nose boys with poinky hair got straight, patrician noses, and sleek, dark hair the looped across their foreheads in perfect glossy arcs. I made the devils into angels. I made the monsters into maidens. I lied.

*            *        *          *          *



I still do. I lie. I lie because I am afraid of what I make and how I word the world ---The Voice in my head says: “Your work here is to word the world.”  But what does it know? “Luckily Harold kept a hold of his crayon!”  Harold and his crayon is an existential nightmare. What if I drop mine and can never find it; what if I hold onto it in sleep and draw what I dream? I fear—deeply, viscerally, primally —this power I have to MAKE. . . .  So, why not blog? as Nietzsche said, whatever doesn't kill me makes me stronger . . .